SILVER IN
PHOTOGRAPHY: STINKING
RED HERRING
Back in the September, 2000
Moneychanger I published an article, "RED HERRINGS ACROSS
SILVER’S TRACKS" to answer an article by one Andrew Kashdan. The
article had appeared on Grant’s Interest Rate Observer web
site, and re-hashed the standard "digital will replace silver in
photography" argument. Since this handle is the one every analyst
green to silver seizes, this was predictable enough.
It also happens to be wrong, all the
way to the basement.
After that article was published on
goldeagle.com one of the readers wrote me to complain that I
had erred. (My chief argument against digital replacing silver is
its far greater cost). My critic noted that digital cameras were now
available as low as $99, and their resolution had greatly
improved.
Of course, what he overlooked in this
equation was one small drawback: you cannot enjoy digital
photography with a digital camera alone. (Well, I suppose you
could, if you didn’t mind having to look at your photos in
that little 2" x 2" screen on the back of the camera. But that
wouldn’t satisfy most folks.)
So in December when we were down in
New Albany having The Moneychanger printed, Susan and I went
to the Wal-Mart Supercenter, following our custom. Susan let me
loose long enough to do my research in the camera department, where
I found a salesman who really knew his stuff. Here’s what was
available:
For $179.73, Polaroid PDC 700, 1024
x 768 pixels, built-in 4 meg memory, 20-30 pictures
capability
For $199.00, Hewlett Packard C200CL,
1152 x 872 pixels, 4 meg compact flash card, 3 resolutions (40
basic, 20 fine, 8 superfine picture capability)
For $298.96, the Fuji, 1280 X 960
pixels resolution, 1400 zoom, smart media card, 20-30 picture
capability
For $299.72, Olympus D360L, 1280 x
960 pixels, 8 meg smart media card, 122 standard quality pictures
or two uncompressed super high quality pictures
For $498.00, Sony Mavica MVC-1073,
takes 3.5" floppy disk, 10X zoom, rechargeable battery, in bitmap
format, 1 picture capability, fine format, 15-20 pictures; normal
resolution, 25-40 pictures. There were others, but you get the picture
(hmmmm).
Now stop right there. The
digital photography set-up does not end with purchasing the
camera alone. You will also need a computer.
One computer
.....................................$1,800.00
But even a new computer won’t give you
enough equipment to process your digital photos. You’ll also need a
good colour printer.
One colour
printer..................................$298.00
Now we’re on the road, unless you want
the really high tech colour printer, which will run you $500.00
instead of $298.00.
Whoops, we’ll also need really good
computer software to brush those warts off Aunt Tillie’s nose and
white out her moustache. Try Adobe Photo Shop.
One software
package..............................$300.00
All-righty, then, we’re all
ready to play around with our digital camera set-up, at a cost of
only $2,398.00. Let’s compare what "outdated" silver halide
technology would cost us:
One 27-shot Kodak Maxflash
disposable camera with film,
$6.77
One film processing,
$4.68
Silver halide TOTAL
$11.45
Well, now, shall we choose
digital photography at $2,398.00 for our first shot, or
silver halide at $11.45? You tell me.
Whoops! Did I forget to mention
the slight difference in resolution? The standard resolution
digital camera offers a resolution of about 800,000 pixels (picture
cells). At the upper end, retail digital cameras offer a 1.6 million
pixel resolution. What about silver halide film? It produces
pictures with the equivalent of twenty million pixels,
only about twelve and a half times the resolution of the best
digital camera, or twenty-five times the standard retail
digital. (Twenty million pixels translates to 4,472 X 4,472 pixels,
to help you compare.)
The point, obvious to anybody but an
analyst green to silver or a hopeless techno-addict, is that silver
halide technology offers twenty-five times the resolution at 4.8
one-thousandths of the cost.
Add some facts, draw some inferences.
First, the largest growth market for photography lies in
developing countries where consumers are just now beginning to earn
enough money to afford pictures of their families. Second,
these consumers will be purchasing silver halide, not
digital, as their first camera. Third, silver halide
technology continues to offer a higher quality to photography
consumers in all markets at a huge price
advantage.
As much as it seems to contradict
expectations, digital photography has in fact increased the
use of silver halide photo products. Digital photography has, first
of all, increased photography’s popularity in general, thus
increasing demand for silver halide photographic products. Further,
a lot of digital imaging actually employs silver-halide in a hybrid
technology.
But the proof is in the statistics.
According to CPM Group precious metals consultants, "Silver use in
photographic materials ... is estimated to have risen about 6.0%
world-wide in 2000. . . Major photographic companies are increasing
their manufacturing in the face of stronger demand growth. From 1980
through 1998 the compounded annual, growth rate in photographic
silver use was around 4.0%. Last year’s increase was 50% above that
long-term trend growth rate. This represents a definite acceleration
in the demand for silver-bearing photographic products that flies in
the face of the rumours that digital is killing this market."
(Myths in the Silver Market, 2/2001, CPM Group, 30 Broad St.,
New York, New York).
What’s the bottom line? Barring the
discovery of utterly new technology, digital imaging will not
be replacing silver in photography at any time material to our
investment.
-- F. Sanders
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